: These early hymns followed Western four-part harmony and were taught using Tonic Solfa Transition to Indigenous Style

. This style blended Western hymn structures with traditional Mizo musical elements, specifically the use of the Khuang (drum)

The impact of "Thlah chhuah chhuah" on Mizo society cannot be overstated. As Christianity spread throughout the region, the hymn became an integral part of Mizo Christian worship, with its melody and lyrics being passed down from generation to generation. The hymn also influenced the development of Mizo literature, with its use of poetic devices and imagery helping to shape the Mizo literary tradition. Furthermore, "Thlah chhuah chhuah" played a significant role in preserving Mizo cultural heritage, as its traditional melody and lyrics provided a link to the community's pre-Christian past.

Translated early hymns like "Isu Krista hming ka hre tawh" (c. 1894) Patea (Zaliana)

"Mizo kristian hla hmasa ber fixed" tia kan sawi hian, a pawimawh em em chhan chu: