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Jae-ho was a "Cutter"—one of the last analog editors, paid to splice physical film strips for the few art houses that refused to go digital. He thought he was immune. He didn’t have the neural jack; he watched old dramas on a flickering CRT screen in his basement apartment. He preferred the grain of 2040s rom-coms, where the laughs were real and the tears were earned.

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Leo groaned, leaning back against his couch. His eyes felt dry and strained. He looked around his apartment, and for a moment, the world seemed strangely dull and grey. The plants on his windowsill, the blue cushions on his chair, the golden light of the setting sun outside—they all seemed muted, as if the show had drained the color from his reality.

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